Director Ross Munro and producer Maria Munro present the indie film A Legacy of Whining. In the comedy, “the past ain’t all it’s cracked up to be when two former high school friends reunite thirty years later in a painfully comedic and bittersweet rollercoaster of an evening.” We will be spotlighting the movie with one of our 5Ws and How articles next week, but until than enjoy the movie’s trailer and you can watch it for free on Amazon Prime.


Posted on November 11th, 2017 by ThePit | Leave a Comment
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Learn more about the independent comedy Odd Brodsky in our article The 5Ws and How: Odd Brodsky and then watch it for free on Amazon Prime. The flick was directed by Cindy Baer, and stars Tegan Ashton Cohan, Ilana Klusky, Matthew Kevin Anderson, and Scotty Dickert.

Posted on November 7th, 2017 by ThePit | Leave a Comment
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Daddys Home 2Daddy’s Home 2
Release Date: November 10, 2017
Studio: Paramount Pictures
Director: Sean Anders (Daddy’s Home, Horrible Bosses 2, Sex Drive)
Cast:  Will Ferrell, Mark Wahlberg, Linda Cardellini, Mel Gibson, John Lithgow, John Cena
Plot: In the sequel to the 2015 global smash, father and stepfather, Dusty (Mark Wahlberg) and Brad (Will Ferrell) have joined forces to provide their kids with the perfect Christmas. Their newfound partnership is put to the test when Dusty’s old-school, macho Dad (Mel Gibson) and Brad’s ultra-affectionate and emotional Dad (John Lithgow) arrive just in time to throw the holiday into complete chaos. (Official Site)

Thoughts: The original Daddy’s Home was much funnier than I expected and I’m looking forward to seeing where they go with the sequel and it’s Holiday setting. Lithgow is always a joy to watch and is a perfect fit opposite Farrell, and as teased at the end of the original, the relationship between Wahlberg and Cena looks laugh out loud funny.

Check out these comedies…


LoadedYou can find movies of every genre for free online, presented by the filmmakers across a variety of different sites. There is so much content that no one should ever feel the need to bootleg or steal movies (just don’t do it).

Today I stumbled on Loaded, an indie action drama starring Jesse Metcalfe, Corey Large, Monica Keena, Chance Crawford, and Vinnie Jones. I’m down to give it a try.

Official Description: Tristan Price has everything: money, privilege, loving parents, a beautiful girlfriend and a bright future. But he has always had a need for something more, something wilder. Enter Sebastian Cole, a handsome, charismatic, ruthless coke dealer with a taste for fast cars, fast women, rapid-fire weapons… and revenge. Soon, Tristan will be up to his eyeballs in a seedy underworld of drugs, sex and violence before he has a clue that his new best friend is, in reality, his worst enemy!

You can watch Loaded for free on Snag Films. Leave us a comment with your thoughts on the flick.

After you watch Loaded for free, check out these independent films online for purchase…




Scareycrows was one of our featured Halloween indie flicks (SEE: 8 Indie Horror Flicks for Halloween) and if you have not had the time to check out the horror/comedy yet, we are pleased to present the trailer.

In the movie, Amy’s “perfect” life is falling apart and to make matters even worse, the “scareycrows” at a local festival have come to life and are killing everyone in the town. Will she survive? The movie stars Jimmy ‘The Bee’ Bennett, Sam Burns, James Bush, Emily Carding, Martin Challinor, Tom Child, and James Cotter. There are a ton of additional videos about the movie over on YouTube.


Posted on November 4th, 2017 by admin | Leave a Comment
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Warner Brothers have released more than 50 images from Justice League, check them out here. The DC Comics characters all team up for the first time in theaters on November 17, 2017.

Posted on November 3rd, 2017 by MHD | Leave a Comment
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I hope everyone had a fantastic Halloween and watched some spooky movies. Today we’re glad to put the spotlight on an indie horror film, ROWS from writer/director David W. Warfield. We talked with him about the movie.

ROWS

Who?
ROWS is a micro-budget feature. Genre-wise, it’s thriller/horror, but it’s more art house than grind house, and mostly psychological in its impact. The cast includes Hannah Bernal (nee Schick) as Rose, Lauren Lakis as Greta, Kenneth Hughes as Mark, and Joe Basile as Jack. No “names” here, but all have done a lot of work in front of and behind the camera, and came from LA to work on the film.

I was able to pull in a few veteran filmmakers to put in key positions: Keith Weiner has a history of being a key grip on major features, and is now a lawyer, so that is a great resume for a hands-on producer. My long-time colleague Scott Chestnut is a film editor and director, but he wanted to do cinematography on this shoot. He is talented in this area as well, and always knows more than anyone in the room tech-wise. Whatever you think of the film, you must agree that it is shot beautifully. Veteran composer James Guymon provided us a million dollar score. The other senior member of the crew was our location sound person, Bernie Ozol. Julie Bent is an up-and-coming production design and wardrobe person, and Andrew Vona was our tenacious lead editor. We rounded out the crew with young filmmakers in various positions, as well as a handful of college grad interns.

ROWS

What?
The story is about a young woman (Rose) who, while working for her developer father, must deliver an eviction notice to an old farmhouse where a strange woman — a squatter — has been living. The house is to be bulldozed to make way for Rose’s dad’s new subdivision. The strange woman puts Rose under a substance-induced spell, which propels Rose — and the viewer — into an enchantment where time and the laws of physics seem turned upside down. Rose must find the inner fortitude to break the spell and save her father from the strange woman — who we might call a witch.

We agreed early on to use the Canon 5D DSLR to shoot this film. We employed accessories such as rental prime lenses, follow focus rigs, and a steadi-cam. We also built a semi-permanent 60-foot platform with speed-rail dolly track, in the middle of a cornfield, to capture the various tracking shots the story required. We used a simple doorway dolly. Chestnut constructed a number of 4X8 foot bounce boards, which were excellent for creating fill in day exteriors. Because a mature cornfield has stalks 10 or 12 feet high, it is basically a limbo environment—so we could do a lot of cheating with the extensive cornfield scenes. Our shooting schedule, including pick-ups, was 17 days. Audio post was conducted at Studio Unknown, an excellent full-service audio post house in Baltimore.

ROWS

Where?
The film was shot in Maryland, outside of Baltimore.

ROWS5

When?
ROWS was released in 2016.

ROWS

Why?
As someone who worked in Hollywood for a bunch of years, It is incredibly liberating to make a film without the burdens of the conventional development, financing, and studio negotiating processes. The downside of micro-budget filmmaking is, well, micro-budgets. Filmmakers working in this way know that a successful micro-budget script must be designed for a very low-cash production. Multiple locations, large casts with numerous wardrobe changes, working with lots of vehicles, and unionized shoots are a few of the elements that micro-budgets generally do not allow. In that regard, a story must be conceived that can work logistically.

I have an artist’s mentality, which to me means that I derive fulfillment from creating things. Films are one of the things I love to create. Paintings are another. While I am great at organizing and planning and logistics, I would be a very crappy business person, and a worse accountant. I made this film because I saw an opportunity to pull together the necessary resources, human and otherwise, and because it is what I love doing. I guess they call that passion.

ROWS

How?
While the old barriers to distribution have been knocked down by streaming, the process is still complex and demanding. I opted to go with Nelson-Madison Films/Indie Rights for streaming distribution. While I have experience with theatrical distribution, in my judgment the smartest play was to work with Indie Rights to facilitate the deals with Amazon, iTunes, Google Play, and the other meaningful platforms. The jury is still out on the “box office” performance of ROWS. Thus far I give Indie Rights good grades, and their extensive network and experience is very helpful. But the thing to know about distribution at this level is that the filmmakers could work 24/7 for months or years in promoting the film via social media. If you don’t have the budget to hire social media marketing staff, you have to do it yourself, and there are only so many hours in a day.

ROWS is kind of a weird film, and those who are expecting traditional horror tropes will probably be disappointed. Those who are open to the oddball construction of the film, and don’t have pre-conceived notions, are likely to dig it. In any case, I can say that this was the most gratifying and fulfilling filmmaking experience I have had, and I look forward very much to our next micro-budget endeavor.

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Posted on November 3rd, 2017 by ThePit | Leave a Comment
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